Peter Yeandle

  • Senior Lecturer in History

I am a social and cultural historian of nineteenth and twentieth-century Britain, with particular focus on the impact of war and empire on popular culture.

Pete joined Loughborough in 2015. Prior to that, he held teaching posts at Lancaster, Manchester Metropolitan University, UCLAN, Nottingham, and the University of Manchester. He was also Research Associate on the AHRC-funded ‘A Cultural History of English Pantomime’.

Pete holds a Senior Fellowship from the Higher Education Academy. His interest in pedagogy developed from his experience teaching in secondary schools. He regularly attends and speaks at events concerned with best practice in the learning and teaching of History in schools and in higher education.

He is a member of the British Association for Victorian Studies and is on the editorial board of the Journal of Victorian Culture.

Pete’s PhD focused on educational psychology and citizenship in the development of history teaching in English schools. The subsequent monograph Citizenship, Nation, Empire: the politics of history teaching in England was published by Manchester University Press in 2015. He remains interested in issues related to the teaching of history, in schools and higher education, and has featured in a BBC Radio 4 ‘Long View’ episode on the history of school textbooks. He was co-editor of a special issue of Journal of Imperial and Commonwealth History 42:5 (2014) on ‘Decolonising Imperial Heroes’ which was republished as a book by Routledge (2016). His article extended work on the politics of history teaching to the recent past.

He is co-editor of Politics, Performance and Popular Culture with Professor Kate Newey (Exeter) and Professor Jeffrey Richards (Lancaster). He has published on Victorian pantomime, music hall, visual iconographies in turn of the twentieth-century advertising, and celebrity animals.

Current research is in two strands:

The theatre of empire: popular imperialism and performance culture in Britain

This project focuses on performances of popular imperialism. Articles in preparation focus on Victorian and early twentieth-century multi-media news reporting of war, Victorian battle re-enactments, and studies of media sensations/spectacles. The longer-term book-length project examines animal histories (zoos, circuses, menageries), theatre histories (pantomime, music hall, melodrama), display histories (exhibitions, museums, battle re-enactments) and ‘street’ performances (pageants, festivals, carnivals). A working title is ‘Theatres of Empire: popular imperialism and performance culture in Britain, 1851-1925’.

Hidden Histories of colonial geoscience

Together with colleagues at the British Geological Survey and those working in museums and arts organisations in Kenya, South Africa, and the UK, this work focuses on colonial-era histories of the extractive industries in east and southern Africa. The project also addresses the legacies of those histories in terms of the broader environmental humanities, histories of science, technology and society, and the present-[geo]politics of energy and climate change.

He retains a keen interest in the historical interrelationships of religion and activism and has delivered several public lectures on histories of pacifism generally and the contentious history of the white poppy in particular.

Pete contributes to several team-taught modules at Loughborough. He leads the first-year skills module What is History? and the Making of Modern Britain. His second-year module, Victorian Values Reconsidered, examines nineteenth-century histories of politics, gender, race, sexuality, and religion. For third years, he offers a sources-based module on Empire, War, and Popular Culture which incorporates extensive training in the use of online primary resources.

Politics, Performance and Popular Culture book cover

Politics, Performance and Popular Culture

Theatre and Society in Nineteenth-Century Britain (Studies in Popular Culture)

February, 2016

by Peter Yeandle (Editor), Katherine Newey (Editor), Jeffrey Richards (Editor, Series Editor)

More on the Amazon website
Citizenship, Nation, Empire book cover

Citizenship, Nation, Empire

February, 2015

Peter Yeandle

More on the Manchester University Press website


  • Citizenship, Nation, Empire: the Politics of History Teaching in England, c.1870-1930 (Manchester University Press, 2015).

Edited Collection

  • Politics, Performance and Popular Culture: Theatre and Society in Nineteenth-Century Britain (MUP, 2016), edited with Katherine Newey and Jeffrey Richards.
  • Decolonising Imperial Heroes: Cultural Legacies of the British and French Empires (Routledge ‘Special Issues as Books’, 2016), edited with Max Jones, Berny Sebe and Bertrand Taithe.


  • The elephant and the pantomime: Popular Imperialism and Popular Culture in Britain”, Modern History Review, 24:4, (2022)
  • ‘Decolonising Imperial Heroes: Britain and France’, Journal of Imperial and Commonwealth History 42:5 (2014), 787-825. Introduction and guest edit of special issue, with Max Jones, Berny Sebe, Jon Strachan and Bertrand Taithe.
  • ‘“Heroes into Zeroes”: the politics of (not) teaching Britain’s imperial past’, Journal of Imperial and Commonwealth History 42:5 (2014), 882-911.
  • ‘John Ruskin and the Christian Socialist Conscience’, Ruskin Review and Bulletin 8:2 (2012), 14-21.
  • 'Art, Ethics, Pleasure: The Influence of John Ruskin on the Reverend Stewart Duckworth Headlam', Nineteenth-Century Prose 38:2 (2011), 109-32.
  • ‘Englishness in Retrospect’? Studies in Ethnicity and Nationalism 6:2 (2006), 9-26.

Book chapters

  • ‘“Jumboism is Akin to Jingoism”: race, nation and empire in the elephant craze of 1882’, in S. Barczewski and M. Farr (eds.), The MacKenzie Moment in Imperial History (Palgrave, 2019), 47-74
  • ‘“Exotic Bodies and Mundane Medicines”: advertising and empire in the late-Victorian press’, in Helen Kingstone and Kate Lister, eds. Paraphernalia! Victorian Things (Routledge, 2018)
  • ‘“Executed with remarkable care and artistic feeling”: music hall ballet and popular imperialism’, in Yeandle, Newey and Richards (eds.), Politics, Performance and Popular Culture (MUP, 2016), 152-73.
  • ‘Exotic people and exotic places in Victorian pantomime’, in Tiziana Morosetti (ed.), Staging the Other in Nineteenth-Century British Drama (Peter Lang, 2015), 125-51.
  • ‘Campaigning Histories’, in Pedro Ramos Pinto and Bertrand Taithe, The Impact of History? Histories in the twenty-first century (London: Routledge, 2015), pp. 123-38
  • ‘Church on/as Stage: Stewart Headlam’s rhetorical theology’, in Claire Maria Chambers, Simon du Toit, and Joshua Edelman (eds.), Performing Religion in Public (Palgrave, 2013), 97-116 (with Tom Grimwood).
  • ‘Christian Socialism on the Stage? Henry Arthur Jones’s Wealth (1889) and the dramatisation of Ruskinian Political Economy’, in Keith Hanley and Brian Maidment (eds.), Persistent Ruskin: Studies in Influence, Assimilation and Effect (Ashgate, 2013), 93-104.
  • ‘Lessons in Englishness and Empire, c. 1880-1914: further thoughts on the English/British conundrum’, in Helen Brocklehurst and Robert Phillips (eds.), History, Nationhood and the Question of Britain (Palgrave 2004), 274-88.

The elephant and the pantomime: Popular Imperialism and Popular Culture in Britain”, Modern History Review, forthcoming.


Currently supervising:

-       Tasha Kitcher, ‘Media convergence before convergence: The case of the Electrophone.’

-       Abbie Donnelly, ‘Exotic Animals and Exhibition Culture, 1851-1914: a comparative analysis of town, city, and countryside’

-       Billy Godfrey, ‘History of animal rights activism’

Completed theses:

-       Olivia Mitchell, ‘Representations of the Begums of Bhopal in the British Press, 1857-1912: a study of loyalty, race, and gender’