Forthcoming: Undisiciplined: Selected Writings (Duke University Press).
Forthcoming: ReSisters: Activism, Art and Feminist Resistance (Duke U.P.)
Forthcoming: Feminist Art: A History (WileyBlackwell). Single-author volume.
2025 Feminisms/Museums/Surveys: Exhibition Curating 2005-2020 (co-editor: Lara Perry)
2025 ‘Feminist Art Making Histories: A Case of Working Against the Disciplines’, in: María Cruz de Carlos Varona and Sergio Ramiro Ramírez (eds.) El Giro Feminista en el Estudio de las Fuentes Visuales. Editorial Comares (Granada, 2025), pp.91-111
2021 ‘Bodies, borders, and law: Tanja Ostojić: Looking for a Husband with EU Passport’ in: Mistresspieces ed. Brenda Schmahmann (Routledge) pp.52-67
2021 'Not White, Not Male, and Not New York: Race, Feminism and Artists in Pittsburgh’ in: Feminist Visual Activism ed. Basia Sliwinska
2020 ‘But does it work in theory? From androcentric blind spots and omissions towards inclusive analysis.’ In: Eliza Steinbock, Bram Ieven, Marijke de Valck (eds) Art and Activism in the Age of Systemic Crisis: Aesthetic Resilience(Routledge)
2019: Companion to Feminist Art (WileyBlackwell). Co-edited with Maria Buszeck
2019: ‘Witness it: Activism, Art, and the Feminist Performative Subject’ in Buszek and Robinson (eds): A Companion to Feminist Art (Wiley Blackwell)
2018: The Art of Feminism: Images that Shaped the Fight for Equality 1857-2017 (Tate Publishing; Chronicle Books) (with Amy Tobin & Lucy Gosling; ed. By Helena Reckitt)
2015 Feminism-Art-Theory 1968-2014: An Anthology (WileyBlackwell).
2013 ‘Feminism meets the Big Exhibition: Museum Survey Shows since 2005’, Anglo Saxonica, special edition: "Feminisms Today and Tomorrow," ed. Sandra M Gilbert. V.3, n.6, pp.129-149
2013 ‘Actionmyth, Historypanic: The entry of VALIE EXPORT’s Aktionhose: Genitalpanik into art history’, n.paradoxa: international feminist art journal vol. 32 (July 2013) Citizenship pp.84-89
2012 ‘Pleasure, Painting, Politics: The Three Graces – Or: Why I Like Adélaïde Labille-Guiard’s Self-Portrait With Two Pupils’, in Xabier Arakistain and Lourdes Méndez (eds), Artistic Production and the Feminist Theory of Art: New Debates III (Victoria-Gastiez: Ayuntamiento de Vitoria-Gastiezko Udalak), pp 306-316
2006 Reading Art, Reading Irigaray: The Politics of Art by Women (London: IB Tauris).
2003 ‘Becoming women: Irigaray, Ireland and Visual Representation’, in Art, Gender and Nation: Ethnic Landscapes, Myths and Mother-Figures, ed. Sighle Bhreathnach-Lynch & Tricia Cusack (Aldershot: Ashgate)
2001 Feminism/Art/Theory 1968-1998 (ed.) (Blackwells). 706pp.
2000 ‘Whose Beauty? Women, Art, and Inter-subjectivity in Luce Irigaray’s Writings’, in Beauty Matters, ed. Peggy Brand (Indiana University Press), pp. 224- 251
2000 ‘The Morphology of the Mucous: Irigarayan possibilities in the material practices of art’, Differential Aesthetics, ed. Florence and Foster (Aldershot: Ashgate 2000), pp. 260-276
2000 ‘Disruptive Women Artists: An Irigarayan Reading of Irish Visual Culture’, Irish Studies Review, 8.1, April 2000, pp 57-72
1997 ‘Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin’, Journal of Gender Studies, vol 6 no 3, pp. 255-267
1996 ‘Louise Bourgeois’s “Cells”: Gesturing towards the mother’, in Ian Cole (ed): Museum of Modern Art Papers vol 1: Louise Bourgeois, Oxford: Museum of Modern Art, pp. 21- 30
1989 The Rough Guide to Venice, Harrap Columbus/Rough Guides (co-authored with Jonathan Buckley)
1987 Visibly Female: Feminist Art Today, London: Camden Press (editor)