Rhiannon Kendall joined the scheme with Loughborough University and her project focused on contemporary drawing, painting, printmaking and poetry as a means of exploring queer female working class narratives, often inspired by the physical objects and spaces she associated with experiences of her own upbringing.
Summarising her project, Rhiannon explains on her profile that her project is inspired by her recent body of work earlier this year titled 'Queer Lovers, Different Faces in Pre-fab spaces' which involved a commission and exhibition funded by Crescent Arts, Scarborough. This series of drawings and paintings used motifs such as the Sharlston red colliery wheel, council housing, camping holidays and old brickyard, interwoven with mixed media text proclaiming phrases like 'That's how we grew up, lived on a shoe-string, maybe we had nowt, but I had everything'.