Substitute Orwell’s fires for contemporary radiators, and he might be describing the millions of readers in our own moment who have turned contentedly to stories of killing in the Thursday Murder Club books by Richard Osman. Comprising 2020’s title novel and three follow-ups (a fourth, The Impossible Fortune, is due in late September), these murder mysteries set in an idyllic retirement village in Kent have proved phenomenally successful.
Why have so many people, including some not previously invested in crime fiction, been drawn to these novels? It is not as if the series has been scrubbed free of potentially off-putting material. The Thursday Murder Club itself, for example, features not only two new killings for the quartet of older investigators to unravel, but memories of brutal gangland executions and a tragic suicide.
Such content, however, rarely ruffles The Thursday Murder Club’s smooth storytelling. The relaxed narrative voice, replicating Osman’s register as a genial quiz show host on TV, makes difficult things manageable. So, too, do the novel’s copious references to cakes: whenever a murder threatens to become too much, there is always a lemon drizzle or Viennese whirl to soothe.
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For the full article by Dr Andrew Dix visit the Conversation.
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