This is the story of Down Cemetery Road (2003), the debut novel of writer Mick Herron, which has been adapted into an eight-part series by Apple TV. Down Cemetery Road is the second of Herron’s book series to be adapted by Apple, coming hot on the heels of the fifth season of the critically acclaimed Slow Horses, which centres on misfits and renegades navigating bureaucracy and corruption at MI5.
Like Slow Horses, Down Cemetery Road is fronted by British acting greats, with Ruth Wilson as art conservator Sarah Trafford and Emma Thompson as private investigator Zoë Boehm. It also exposes failings at the heart of British institutions, this time the UK government.
Boehm and Trafford uncover evidence that the UK government has deliberately maimed its own soldiers during illicit chemical weapons testing on the battlefield (the Gulf war in Herron’s novel, Afghanistan in the adaptation). To an even greater extent on screen than on the page, however, this military premise feels like one of Alfred Hitchcock’s “MacGuffins”: something to get the narrative engines firing, rather than a theme for profound exploration.
As a conspiracy thriller, then, Apple’s Down Cemetery Road does not compare with such classics of British TV as Edge of Darkness (1985, exploring a shadowy expansion of nuclear power) and State of Play (2003, about corrupt links between politicians and the oil industry). But while it is politically thin, it is nevertheless satisfying as a TV spectacle.
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For the article by Dr Andrew Dix visit the Conversation.
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