Creative Arts

Staff research

Stages of Utopia and Dissent

19 May 2018, Loughborough University London, UK

Stages of Utopia and Dissent is a one-day conference organised by the Theatre and Performance Research Group at Loughborough University

Stages of Utopia and Dissent : 50 years on…

15 May 1968: the Odeon theatre in Paris is occupied by students and becomes the insurgent headquarters where every night militants recount the days' action in occupied factories to an audience of people camping in the auditorium. 15 June 1968: the Odeon theatre is cleared by the CRS forces, nothing remains but one banderole “solidarité avec les tra­vailleurs en lutte” symbolising the general strike voted in May by theatre practitioners in solidarity with the workers’ struggle. While the May revolt did not radically change workers’ conditions, it perennially inscribed some of the boldness and inventiveness of the 1960s in performing arts upon the French stage: a theatre of bodies rebelling against the established order and inviting the audience to be involved as creative participants and not as mere consumers anymore. The same spirit led to the creation, a year later, of the Centre universitaire expérimental de Vincennes, where students could create their own individualised cross-disciplinary curriculum and were taught by thinkers such as Gilles Deleuze, Jean-François Lyotard, Michel Foucault, Alain Badiou or Hélène Cixous. There were other students protesting against wars or fundamental liberties in other parts of the world at the time, but youth rebellion was never as mythologised as that of the French students’ fight against institutional oppression.

The effects were felt across the Channel, too – but the nature of those effects was, and remains, disputed. It certainly galvanised the growth of a theatrical counter-culture which encompassed agit-prop and T-i-E, community theatre and performance art, childrens’ theatre and the avant-garde. For some, like Catherine Itzin May 1968 was the high point of “a historic year which … clearly marked the end of an era in a historically unprecedented fashion and the beginning of a period of equally unprecedented political consciousness and activism.” Howard Brenton saw it rather differently and much less positively: “May 1968 was crucial…” he said. “[It] disinherited my generation in two ways. First it destroyed any remaining affection for official culture… But it also, secondly, destroyed the notions of personal freedom, anarchist political action. And it failed. It was defeated. A generation dreaming of a beautiful utopia was kicked – kicked awake and not dead. I’ve got to believe not kicked dead. May 68 gave me a desperation I still have.”

50 years on… where are we? What remains of the dream of a possible union of students and workers in protest? What remains of autogestion and emancipatory education? What remains of theatre inventiveness and sedition? What remains of a need for participatory audiences? What remains of utopia and dissent?

 

We invite theatre and performance scholars/artists and other scholars/practitioners with an interest in theatre, performance and politics to contribute in the form of ten-minute provocations, twenty-minute papers or twenty-minute scratch performances.

Please email all abstracts (no more than 300 words in length), an additional few sentences of biographical information and precise details of the audio-visual technology you will need to make your presentation to Dr Fred Dalmasso – f.t.j.dalmasso@lboro.ac.uk and Prof Mick Mangan - M.Mangan@lboro.ac.uk

The deadline for the submission of proposals is Wednesday 28 February 2018.

Booking for the conference is now open and will close at midnight on 13 May 2018

Delegate rates

The delegate rate includes refreshments and a light lunch during the conference 

  • External standard rate £45.00
  • Postgraduate student rate £35.00

Book your place at the event from Monday 8 January 2018 via our Online store

 

 

Loughborough University London is located on Queen Elizabeth Park, site of the 2012 Olympics, in Stratford, East London.

Travel

For information on travel to Queen Elizabeth Park, please see Loughborough University London's webpages, which include maps and directions.

Hotels

There are many hotels located clsoe to Queen Elizabeth Park, including: 

Premier Inn

Travelodge

Holiday Inn Express

Ibis

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**Other hotels are available, including links to these hotels does not consitute an endorsement on the part of the organisers

 

10.30 REGISTRATION & COFFEE

 

11.00 WELCOME by Fred Dalmasso

 

11.15 KEYNOTE 1: Olivier Tonneau -  The French Revolution’s Furtive Translations

 

12.00 PANEL 1

 

            - Camille Mayer - Youth Utopia and Dissent: Anarchist Theatre in France since 1968

 

            - Ralph Yarrow - Un Théâtre Hors du Théâtre (Post-68 and the Theatre of the Oppressed)

 

            - Sarah Thornton - Collective Encounters and the Multitude of Opposition

 

13.15 PROVOCATIONS/INSTALLATIONS (over lunch)

 

          -  Gillian Whiteley - Demand communal luxury daily! An assemblage of print-based ephemera savouring suspensions of time, cracks in the pavement, and other recent ruptures

 

          - Marina Dumont - Have you ever met a purveyor of dreams? Have you ever been able to buy the right dream for you in an exhaustive catalog? 

 

14.15 PERFORMANCE

 

            - Athéna Pruneddu & Odysseas I. Konstantinou - Gilles. Anyone

 

14.40 PANEL 2

 

            - David Bell - Musical Improvisation and the Restaging of Utopia(nism)

 

            - Jennifer Hankin - Locating the Utopic within Contemporary Installation Practice

 

15.30 KEYNOTE 2: Baz Kershaw - Senseless Acts of Futurity

 

16.15 COFFEE AND DISCUSSION chaired by Mick Mangan

 

17.00 END