Sam Belinfante: To the tintinnabulation that so musically wells
About this event
Recorded in Loughborough’s Carillon over the course of a weekend, Sam Belinfante’s audio-visual installation considers processes of ageing as markers of time passing; a resonant issue for thinking through and about sound as a medium.
Informed by the concept of ‘tintinnabulation’—the lingering sound of a struck bell—it explores the subtle but constant processes of decay that touch the Carillon and the people and objects that coalesce around it. The work documents collaborative actions taken to extend the life of the bells, contrasting their quiet dormancy with the bustle of restoration.
Installed in the ground floor of the Carillon tower, in a space ordinarily used to diisplay objects from the Carillon Museum collection, the film celebrates small acts of care while reflecting on the impossibility of reversing material entropy. Whilst the Carillon is an enduring musical symbol of Loughborough, Belinfante’s approach eschews more obvious explorations of identity for a quiet meditation on the caring processes that are integral to all musical performances, instruments and the maintenance of a place’s identity. Sound, curation and performance intertwine in a struggle of preservation and de-composition.
This event is part of (re)composition, Radar's main commissioning strand for 2017/18, which explores how music makes place and places make music. The project draws on the research of Dr Allan Watson in Loughborough University's Department of Geography, and has expanded to engage with research across the Social Sciences.
Contact and booking details
- Rachel Fitzpatrick
- Telephone number
- 01509 228931
- Email address
- Booking required?