Museums, Markets, and Critical Heritage
This multi-disciplinary research group explores cutting-edge practices in, and debates about, collecting, marketing, and exhibiting works of art and cultural property. Providing a forum for the exchange of ideas between academics, artists, curators, collectors, and dealers, the group engages critically with the histories and futures of cultural heritage from a range of trans-national perspectives.
The Museums, Markets, and Critical Heritage Research Group is a forum for the exchange of ideas about art markets, exhibition histories, museums, and public and private collecting practices. Its research and events are open to individuals from all disciplinary backgrounds, and we aim to bring together scholars whose interests span diverse geographies and time periods.
The group seeks to build research collaborations within and beyond Loughborough University, to share knowledge, and to develop policies that impact on the cultural landscape. We aim to promote innovative thinking about the future of public and private collecting, access to the art market, the stewardship of cultural property, and the relationship between museums and their stakeholders. To that end, we welcome contributions to, and participation in, our visiting speaker programme and symposia by museum professionals and scholars with interests in trends that shape markets, exhibition practices, and public heritage policies.
Our symposium for the 2017/18 academic year is titled ‘Power, Patronage and the Future of Collecting’ and will take place on Friday 11 May 2018 at Loughborough University. A call for papers will be posted to this page shortly.
Visiting speaker: Zachary Kingdon, Curator, Africa Collections, World Museum, Liverpool: ‘Collecting and Cultural Collaboration: Investigating West Africans’ Gifts to UK Museums in the Early Colonial Period’.
Wednesday 22 November 2017, 14.00–16.00. Martin Hall, MH1.17a/b
Lecture followed by discussion and refreshments
In this lecture Zachary Kingdon will discuss his research on the World Museum Liverpool’s remarkable West African collection from the early colonial period. Between 1897 and 1916 at least one hundred West Africans donated at least 775 artefacts to the World Museum Liverpool through Arnold Ridyard, a Methodist Chief Engineer on the steamships of Elder Dempster & Company that plied the trade route down the western coast of Africa. The lecture will focus in detail on the biography and collaborative cultural interests of one of these West African donors from the Gold Coast (present day Ghana), John Mensah Sarbah. This case study will demonstrate how Sarbah’s donations reflected his social networks and were implicated in his efforts to construct alternative narratives about African histories and cultures that contributed to a new perspective on West Africans that was intended to contest the authority of a pejorative European one. The case study will be used to help frame a critique of the way that museums habitually used African cultural objects as instruments of invented knowledge about African peoples in a way that denied them full humanity as complex historical subjects in their own right.
>>This event is free and open to all. Please register your interest through eventbrite
September 2017 Call for Papers: ‘From Bluestockings to the Guerrilla Girls – And Beyond: Mapping Female Associational Life in the Visual Arts’, Christie’s New York, 26–7 June, 2018 Event URL || Christies call for papers
September 2017 Call for Book Proposals: Contextualizing Art Markets (Bloomsbury Academic) || Bloomsbury call for book proposals
November 2017 Kathryn Brown is presenting a paper on ‘The Privatization of Public Museum Culture and the Future of Art History’ at a conference The Global Power of Private Museums: Arts and Publics – States and Markets, Berlin, 16-18 November 2017